Raspberry support for FireCapture v2.6 and ZWO cameras !
| Compatibility |  FC v2.7.15 (x64) |
 FC v2.7.15 (x64) |
 FC v2.7.15 (x64) |
FC v2.7.15 (aarch64) |
|
|---|---|---|---|---|---|
 Altair |
 |
 |
|
|
|
 ASCOM |
 |
|
|||
 Basler |
|
|
|||
 FLIR/FlyCap |
 |
|
|||
| FLIR/Spinnaker |
|
|
|||
 LUCID |
|
|
|||
 NexImage |
|
|
|||
 OGMA |
|
|
|
|
|
 PlayerOne |
|
|
|
|
|
 QHY |
|
|
|
|
|
 Skyris |
|
|
|||
 SVBony |
|
|
|
|
|
TIS |
|
|
|||
 Touptek/Omegon |
|
|
|
|
|
 ZWO ASI |
 |
|
|
|
|
Older Versions
Developing software is mostly fun, but it also takes up nearly all of my spare time. If you find FireCapture useful and would like to support me in continuing development you're welcome to donate a small amount of your choice.
“New Dawn Fades” – listen for the way the left-channel guitar harmonics interact with the right-channel reverb return. In 24-bit, you hear the two as separate dimensions. In 16-bit, they merge into one wall of grey. The difference is the entire point.
When Unknown Pleasures was first released on vinyl, it was controversial. Drummer Stephen Morris famously stated that Hannett made the drums sound “like cannons firing in the Peterloo Massacre.” But on cheap turntables and cassette players of the era, those cannons often sounded like cardboard boxes.
The sound of breaking glass is startlingly clear, punctuating the album's dark finale.
Listening to the 24-bit version of Unknown Pleasures changes the physical experience of the record.
“New Dawn Fades” – listen for the way the left-channel guitar harmonics interact with the right-channel reverb return. In 24-bit, you hear the two as separate dimensions. In 16-bit, they merge into one wall of grey. The difference is the entire point.
When Unknown Pleasures was first released on vinyl, it was controversial. Drummer Stephen Morris famously stated that Hannett made the drums sound “like cannons firing in the Peterloo Massacre.” But on cheap turntables and cassette players of the era, those cannons often sounded like cardboard boxes.
The sound of breaking glass is startlingly clear, punctuating the album's dark finale.
Listening to the 24-bit version of Unknown Pleasures changes the physical experience of the record.
It was back in 2008 when I got hold of a SONY newsletter announcing a new CCD sensor (ICX618) which promised fantastic sensitivity. Still working with an old webcam those days I instantly had the idea of replacing the webcam sensor with the new SONY sensor. It took weeks and dozens of emails to get the confidential spec of the new sensor. When I saw the sensitivity values it was clear: I had to have this sensor! The Basler Scout scA640 was the first machine vision camera on the market using this sensor and when I bought it the nightmare began: the included software was useless for planetary imaging and running the camera with the VRecord webcam tool was a complete PITA. Bugged by the inability to store even the basic camera settings I decided developing my own capture software.
What started as a solely private project soon turned into higher gear when fellow astronomers saw the software and insisted on getting it. I decided to make it public, included new camera interfaces and after years of continuous development FireCapture has evolved to one of the leading planetary capture tools. Developing the thing is only one part of the story: with a supportive community of users behind me I always had the feeling of someone 'looking over my shoulder' during the countless hours of programming. I can't mention all but just want to say:
Thank you guys !
