Pre-oxidized PAN carbon yarns with metal reinforcement, impregnated with powder of graphite.
The graphite packing C8300R is braided with pre-oxidized PAN carbon yarns with metal reinforcement. The packing is impregnated strand by strand with a special colloidal graphite compound to give extreme compactness while ensuring flexibility to its body. It can be easily cut and installed and is also available in the C8200 version without metal reinforcement.
C8300R is a versatile compression packing that can be used for all static services in presence of steam, air, gas, oils, bitumen, petroleum and chemical products with the exception of those oxidizing and not compatible with graphite.
Before diving into the details of "The 12 Inch Mixes," it's essential to understand the context of Yazoo's formation and rise to fame. The duo was formed in 1981 in Manchester, England, and was initially known for its experimental approach to electronic music. Their early work was characterized by a raw, edgy sound that blended synthesizers, drum machines, and catchy melodies. The band's music quickly gained popularity, and they became one of the leading acts of the early 1980s electronic music scene.
“Personally loved hearing “The Other Side Of Love” – a forgotten Yazoo classic. The Re-Situated “Situation” loud and full of electronic percussion and vocoder!” myvinyldreams · 7 years ago Tracklist Highlights
: Tracks like the "Zoo-Mix" and "The Shitmix" were essential for club DJs, blending multiple hits into seamless, extended dance floor journeys.
Musical characteristics The extended mixes emphasize texture, groove, and space. Vince Clarke’s production style—minimalistic but melodically rich—translates well to 12-inch treatments. Extended intros often foreground sequenced basslines and arpeggiated synth patterns, creating hypnotic foundations over which Moyet’s voice floats and intensifies. Drum programming gains prominence; mixes commonly add percussion fills and reworked beats that make tracks suitable for dance environments without diluting lyrical impact. Instrumental breaks and dub-style passages allow listeners to appreciate Clarke’s melodic invention and sound design, often revealing subtleties masked in radio edits.
The definitive floor-filler. This mix stretches the iconic sawtooth bassline into a hypnotic groove that still sounds futuristic 40 years later.