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For authors and screenwriters looking to escape the trap of fixed relationships and romantic storylines, here are three actionable strategies:

The doctors said feelings might return with exposure to familiar places and routines. So Claire took him home. Their home. A craftsman bungalow with a porch swing and the aforementioned dog, Toast, who seemed to have no doubt whatsoever that Eli was his person.

Week two. Toast got sick—ate something weird on a walk. Claire drove them to the emergency vet at midnight, and Eli watched her bargain with the receptionist, her voice steady but her hands shaking. She paid the bill without hesitating. $1,400. When the vet said Toast would be fine, Claire sank onto a plastic chair and buried her face in her hands.