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Directors like Bharathan, Padmarajan, and K. G. George created the "Middle Stream"—films that were neither fully art-house nor commercial. They dealt with sexual repression ( Keli ), caste hypocrisy ( Oridathu ), and the crumbling feudal order ( Panchagni ).

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This shift coincides with the death of the "megastar" aura and the rise of the "actor." Mammootty’s recent outings ( Nanpakal Nerathu Mayakkam , Kannur Squad ) or Fahadh Faasil’s filmography showcase a culture that values craft over charisma. It reflects a literate society that demands intellectual engagement, not just visual spectacle. Directors like Bharathan, Padmarajan, and K