Even if you don’t produce at high tempos, many of the loops can be half-timed or repurposed for lo-fi hip-hop, ambient, or techno.

This is arguably the best Splice release of the year for the experimental electronic community. The fidelity is flawless, the curation feels personal (like Umru actually uses these sounds), and the volume of content (approx 250+ files) justifies the credit cost immediately.

Because the sounds are already heavily processed (sidechained, compressed, and distorted), you have less headroom to put your own stamp on them. It can sometimes feel like the sounds are fighting for dominance in a mix, requiring careful EQing to make them sit with other instruments.

This pack serves as a “sound cache” – a curated collection of Umru’s personal production sounds. It focuses on , deconstructed club , heavy bass music , and glitchy experimental textures .

The pack is heavily focused on abrasive, metallic, and "sinewy" textures that umru is famous for. Highlights from the Splice Sounds catalog include:

The is a hyperpop-focused sample pack released by Splice Sounds in February 2019. It features a collection of 641 one-shots and loops . The pack is known for its "elusive" and experimental sound design that blends elements of future bass, trap, hip-hop, and pop . Content Breakdown