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The shift began in the early 2000s with projects like Some Kind of Monster (2004), which captured Metallica in group therapy, stripping away their macho rock-god mystique to reveal petulant, aging men struggling to communicate. It was jarring because it refused to deify. It humanized icons to a point that was almost uncomfortable.
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A high-stakes moment: a red carpet opening or a chaotic day on a low-budget set. The shift began in the early 2000s with