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Critics argue that this is the death of high culture. They lament that the youth prefer watching a Kuntilanak slip on a banana peel over watching a traditional Wayang Kulit performance. But perhaps they are looking in the wrong direction. The same energy that fuels the prank horor fuels the Wayang —it is a love for spectacle, for narasi (narrative), and for ramai (crowded, lively chaos). The shadow puppet has simply been replaced by a shadow filter. Tulis di komentar ya