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Traditional media often uses the pollera to tell stories of social transition and hidden strength. The cholita style has also gained attention for

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The brand has birthed its own set of micro-celebrities. Performers like and Paloma have become recognizable faces in Central American media.

Latin American telenovelas have long exploited the bajo sus polleras motif. In classics like Café con Aroma de Mujer or Yo soy Betty, la fea , the camera frequently lingers on the hem of a skirt as a narrative device. A dropped handkerchief, a torn lace, or a concealed pregnancy beneath the voluminous folds drive plot twists.