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Scholars like C. S. Venkiteswaran have noted that Malayalam cinema’s primary characteristic is its “anthropological gaze”—a persistent tendency to document the everyday life, rituals, and speech patterns of various Keralite communities. This paper posits that the relationship between Malayalam cinema and Kerala culture is a dialectical one: the cinema draws its raw material from the cultural milieu, and in turn, the cinematic narratives influence social behavior, political discourse, and even linguistic patterns in the state.

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