"The music was never in the wires, Elias. It was in the tradition. I’m at the synagogue on 4th. I've still got the record player. Come home."
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An essay by Ray Coleman (originally in Melody Maker ) evaluates Diamond's contributions, specifically noting how tracks like "America" and "Love on the Rocks" succeeded as standalone pop hits beyond the film's narrative. "The music was never in the wires, Elias