Her voice came through Maya’s speakers, delayed by half a second — the ghost of a lag.
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This time the overlay did not show inputs. Instead it opened a silent window in the corner of the screen, like the voice of someone who had forgotten how to speak. Within it there were no avatars, only images cycling: an alley she recognized from the neighborhood near her station; a reflection of fluorescent lights in a puddle; a photograph of a hand, fingers splayed, palm up, palm empty but for a faint smear. The images rotated slowly. Behind them, if she leaned close enough, she thought she could catch movement — a shape shifting at the edges. Her voice came through Maya’s speakers, delayed by